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Hindu panchang history, etymology and details

Hindu panchang history, etymology and details

Hindu panchang, also known as the Hindu calendar, is a traditional system of timekeeping that has been used in India for centuries. The word "panchang" is derived from the Sanskrit words "panch" meaning five and "anga" meaning limb, hence, the Hindu panchang comprises five limbs. These limbs are tithi, vaar, nakshatra, yoga, and karana. Each of these limbs has a specific function and plays an important role in determining auspicious dates and times for various events and ceremonies.

History and Etymology of Hindu Panchang:

The origins of the Hindu panchang can be traced back to the Vedic period, which lasted from around 1500 BCE to 500 BCE. The Vedas are a collection of ancient texts that contain knowledge and wisdom passed down through generations of sages and seers. One of the earliest references to the use of a calendar can be found in the Rigveda, which mentions the measurement of time in terms of months and years.

Over time, the Hindu panchang evolved and became more complex. The current system that is used today was developed during the Gupta Empire (320 CE to 550 CE). This system was based on the lunar cycle and was used to determine the dates of various festivals and ceremonies.

Details of the Hindu Panchang:

As mentioned earlier, the Hindu panchang comprises five limbs, each of which has a specific function.

Tithi: The tithi is a lunar day, and there are 30 tithis in a lunar month. The tithi is determined by the position of the moon in relation to the sun. Each tithi is associated with a specific deity and has its own significance.

Vaar: The vaar is a day of the week, and there are seven vaars in a week. Each vaar is associated with a specific planet and has its own significance.

Nakshatra: The nakshatra is a lunar mansion, and there are 27 nakshatras in a lunar month. Each nakshatra is associated with a specific deity and has its own significance.

Yoga: The yoga is a combination of the positions of the sun and the moon, and there are 27 yogas in a lunar month. Each yoga is associated with a specific deity and has its own significance.

Karana: The karana is half of a tithi, and there are 11 karanas in a lunar month. Each karana is associated with a specific deity and has its own significance.

The Hindu panchang is used to determine auspicious dates and times for various events and ceremonies such as weddings, housewarming ceremonies, and festivals. It is also used to determine the dates of important Hindu festivals such as Diwali, Holi, and Dussehra.

In conclusion, the Hindu panchang is a traditional system of timekeeping that has been used in India for centuries. It comprises five limbs, each of which has a specific function, and is used to determine auspicious dates and times for various events and ceremonies. The Hindu panchang is an important part of Hindu culture and tradition, and continues to be used by millions of people around the world.

Never Ending Agony Of Pakistan's Khwaja Sira Community

Pakistan's Khwaja sira community, also known as hijras or transgender persons, have a long history of cultural significance and social stigma. Despite the recognition of the third gender in Pakistani law, the Khwaja sira community still faces significant discrimination and marginalization.

The Khwaja sira community is made up of individuals who identify as neither male nor female. They have existed in South Asia for centuries and have traditionally played important roles in religious and cultural ceremonies, particularly in Islamic and Hindu communities. However, their status as a recognized third gender was only formalized in Pakistan in 2009, when the Supreme Court granted them legal recognition and rights.

Despite this legal recognition, the Khwaja sira community still faces significant discrimination and marginalization in Pakistani society. They often experience rejection from their families and communities, leading many to leave their homes and live in marginalized and vulnerable situations. This rejection is often rooted in cultural and religious beliefs that view the Khwaja sira community as immoral and sinful.

The Khwaja sira community also faces significant challenges in accessing basic services such as healthcare, education, and employment. Discrimination and harassment are common in these areas, making it difficult for members of the community to access the resources they need to lead healthy and productive lives.

Efforts have been made to improve the situation of the Khwaja sira community in Pakistan. NGOs and activists have been working to increase awareness about the community and their rights, and to provide support and advocacy for members of the community. Additionally, some businesses and government agencies have implemented affirmative action policies to provide job opportunities and improve access to services for the Khwaja sira community.

However, much more needs to be done to address the discrimination and marginalization faced by the Khwaja sira community in Pakistan. This includes a broader societal shift in attitudes towards gender and sexual orientation, as well as concrete policy and legal changes to protect the rights of the community. With sustained efforts from civil society and the government, the Khwaja sira community can live a life free from discrimination and marginalization.

Top granite stones of India

Top granite stones of India

Granite is a widely used natural stone that is popularly used in various construction and decorative projects. India is known for its rich reserves of granite, and it produces a wide range of granites that are exported to countries across the world. In this blog, we will discuss the top granite stones of India, their location, color, export data, usage, and qualities.

Black Galaxy Granite:

Black Galaxy granite is a popular choice for countertops, flooring, and wall cladding due to its striking black background with golden specks. It is found in the Chimakurthy region of Andhra Pradesh, and it is exported to countries such as the USA, Canada, and the Middle East. This granite is known for its durability, resistance to heat and scratches, and easy maintenance.

Absolute Black Granite:

Absolute Black Granite is a premium quality granite that is known for its deep black color and uniform texture. It is quarried in the Khammam region of Telangana, and it is exported to countries such as the USA, UK, and Europe. This granite is ideal for countertops, flooring, and wall cladding due to its durability, resistance to stains, and low water absorption.

Tan Brown Granite:

Tan Brown Granite is a popular granite that is characterized by its brownish-red color with black and gray specks. It is quarried in the Karimnagar region of Telangana, and it is exported to countries such as the USA, Canada, and Europe. This granite is ideal for countertops, flooring, and wall cladding due to its durability, resistance to scratches and stains, and low maintenance.

Kashmir White Granite:

Kashmir White Granite is a beautiful white granite that is characterized by its gray and black specks. It is quarried in the Madurai region of Tamil Nadu, and it is exported to countries such as the USA, Canada, and Europe. This granite is ideal for countertops, flooring, and wall cladding due to its durability, resistance to scratches and stains, and low maintenance.

Imperial White Granite:

Imperial White Granite is a premium quality white granite that is characterized by its black and gray specks. It is quarried in the Madurai region of Tamil Nadu, and it is exported to countries such as the USA, Canada, and Europe. This granite is ideal for countertops, flooring, and wall cladding due to its durability, resistance to scratches and stains, and low maintenance.

Paradiso Granite:

Paradiso Granite is a beautiful granite that is characterized by its purple and gray hues. It is quarried in the Kanakapura region of Karnataka, and it is exported to countries such as the USA, Canada, and Europe. This granite is ideal for countertops, flooring, and wall cladding due to its durability, resistance to scratches and stains, and low maintenance.

In conclusion, India has a rich reserve of granite stones, and the stones mentioned above are just a few of the many that are available. Each granite stone has its unique qualities, and they are ideal for various construction and decorative projects. With India's expertise in granite extraction and processing, it is no surprise that the country is a leading exporter of granite stones across the world.

Top five non veg dishes of Gujarat

Gujarat, a state located in western India, is known for its rich culture and delectable cuisine. Although Gujarati cuisine is mostly vegetarian, it also offers a variety of non-vegetarian dishes that are popular in the region. Here are the top five non-veg dishes of Gujarat:

Salli Boti: Salli Boti is a traditional Parsi dish that has become a part of Gujarati cuisine. It is a lamb curry that is cooked with onions, ginger, garlic, tomatoes, and spices. The dish is usually served with a side of crispy potato sticks, known as salli. The combination of tender lamb and crispy potato sticks makes for a delicious and flavorful dish.

Chicken Dhansak: Chicken Dhansak is a popular Parsi dish that is made with chicken, lentils, and vegetables. The dish is flavored with spices like cumin, coriander, and turmeric, and is usually served with rice or roti. The sweetness of the lentils balances the spiciness of the chicken, making it a perfect combination.

Surati Koliwada: Surati Koliwada is a spicy fried chicken dish that originates from the city of Surat in Gujarat. The chicken is marinated in a blend of spices and then coated with a batter made from gram flour and spices. It is then deep-fried until crispy and golden brown. Surati Koliwada is usually served with green chutney and a squeeze of lemon.

Bheja Fry: Bheja Fry is a dish made with goat brains that are cooked with onions, tomatoes, and spices. The dish has a unique texture and flavor, which comes from the soft and creamy brains. It is usually served as a side dish with rice or roti.

Saas Ni Machchi: Saas Ni Machchi is a fish curry that is made with a coconut and yogurt-based sauce. The fish is cooked in a spicy and tangy sauce that is flavored with cumin, coriander, and turmeric. It is usually served with rice or roti.

In conclusion, Gujarat offers a variety of non-vegetarian dishes that are rich in flavor and unique in taste. From the spicy Surati Koliwada to the tangy Saas Ni Machchi, there is something for everyone to enjoy. If you are a food lover, be sure to try these dishes the next time you are in Gujarat.

Rajasthani Non-Veg Evolution

Rajasthan, the land of the royals, is known for its rich cultural heritage, art, music, and, of course, food. Rajasthani cuisine is known for its unique taste, spices, and flavors, and it has evolved over the years. In this blog, we will explore the evolution of Rajasthani authentic non-vegetarian food in the past 50 years.

Before we dive into the evolution, let's take a look at the traditional non-vegetarian dishes of Rajasthan. The most popular non-vegetarian dish in Rajasthan is Lal Maas, which is a spicy mutton curry made with a blend of red chili powder, garlic, and other spices. Other popular dishes include Safed Maas, a creamy white mutton curry, Junglee Maas, a wild game meat curry, and Murg Mussallam, a whole chicken roasted with a mix of spices.

Now, let's take a look at how these traditional dishes have evolved over the past 50 years. The first major change that has occurred is the use of technology. In the past, the traditional dishes were cooked in a clay pot over a wood fire. Today, modern cooking methods such as pressure cooking and using gas stoves have become more popular.

Another major change is the availability of ingredients. With the globalization of food, ingredients from all over the world are now easily available in Rajasthan. Chefs are experimenting with new ingredients and adding their own twist to traditional dishes. For example, some chefs are using coconut milk instead of cream in Safed Maas, and others are adding prawns to Lal Maas.

The influence of tourism has also impacted the evolution of Rajasthani non-vegetarian food. With an increase in tourism, chefs have started to cater to the tastes of tourists by making the dishes less spicy and using more butter and cream. This has resulted in the creation of new dishes such as Butter Chicken, which is now a popular dish in Rajasthan.

Finally, the evolution of Rajasthani non-vegetarian food can also be attributed to the changing lifestyles of people. With busy schedules, people are now looking for quick and easy meals. To cater to this demand, chefs have started to create ready-to-eat dishes such as Mutton Keema and Chicken Tikka Masala.

In conclusion, Rajasthani non-vegetarian food has come a long way in the past 50 years. From traditional dishes cooked in clay pots over wood fires to modern cooking methods using gas stoves and pressure cookers, the evolution has been significant. With the availability of new ingredients, influence of tourism, and changing lifestyles, chefs are constantly experimenting with new dishes and adding their own twist to traditional dishes. However, despite all the changes, the essence of Rajasthani cuisine remains the same, and it continues to be one of the most unique and delicious cuisines in India.

गुजरात में गिर गायों का संक्षिप्त इतिहास'

गुजरात में गिर गायों का संक्षिप्त इतिहास'

 गीर गाय, जिसे गीर या गिरिंका गाय के नाम से भी जाना जाता है, मवेशियों की एक अनोखी नस्ल है जो भारत की मूल निवासी हैं। विशेष रूप से, वे गुजरात राज्य के गिर वन क्षेत्र से हैं। ये गायें सदियों से गुजरात की संस्कृति और अर्थव्यवस्था का अभिन्न अंग रही हैं। इस ब्लॉग में हम गुजरात में गिर गायों के संक्षिप्त इतिहास की खोज करेंगे।

 गिर वन क्षेत्र गुजरात के सौराष्ट्र क्षेत्र में स्थित है। यह क्षेत्र राजसी एशियाई शेर सहित अपने विविध वनस्पतियों और जीवों के लिए जाना जाता है। यह गिर गाय का घर भी है, जिसे मालधारी समुदाय ने पीढ़ियों से पाला है। मालधारी एक खानाबदोश जनजाति है जो सदियों से इस क्षेत्र में रहती है। वे मवेशी प्रजनन में अपनी विशेषज्ञता के लिए जाने जाते हैं और उन्होंने गिर गाय की नस्ल के विकास में महत्वपूर्ण भूमिका निभाई है।

 गुजरात में गिर गायों का इतिहास प्राचीन काल में देखा जा सकता है। वैदिक शास्त्र, जो 1500 ईसा पूर्व के हैं, भारतीय समाज में मवेशियों के महत्व का उल्लेख करते हैं। गायों को पवित्र माना जाता था और विभिन्न प्रयोजनों के लिए उपयोग किया जाता था, जिसमें खेतों की जुताई, दूध प्रदान करना और धन के प्रतीक के रूप में उपयोग किया जाता था।

 मुगल युग के दौरान, जो 16वीं शताब्दी में शुरू हुआ, गुजरात पर मुस्लिम शासकों का शासन था। इसके बावजूद, मालधारियों ने गिर गायों का प्रजनन जारी रखा और एक संपन्न डेयरी उद्योग विकसित किया। मुगल शासकों ने डेयरी उद्योग के महत्व को पहचाना और उच्च गुणवत्ता वाली गायों के प्रजनन को प्रोत्साहित किया।

 19वीं सदी में ब्रिटिश उपनिवेशवादी भारत आए और उन्होंने देश का प्रशासन अपने हाथ में ले लिया। अंग्रेजों ने गिर गाय की नस्ल के महत्व को पहचाना और नस्ल में सुधार के लिए प्रजनन केंद्रों की स्थापना की। पहला गिर प्रजनन केंद्र 1917 में जूनागढ़, गुजरात में स्थापित किया गया था। अंग्रेजों ने 1927 में एक गिर स्टड फार्म भी स्थापित किया, जिसने नस्ल के विकास में महत्वपूर्ण भूमिका निभाई।

 1947 में भारत को स्वतंत्रता मिलने के बाद, गुजरात सरकार ने प्रजनन केंद्रों को अपने कब्जे में ले लिया और गुजरात कृषि विश्वविद्यालय की स्थापना की। इस विश्वविद्यालय ने गिर गाय की नस्ल के विकास में महत्वपूर्ण भूमिका निभाई है और नस्ल की आनुवंशिक शुद्धता को बनाए रखने में मदद की है।

 आज, गिर गाय भारत में मवेशियों की सबसे लोकप्रिय नस्लों में से एक हैं। वे अपनी उच्च दूध उपज, रोग प्रतिरोधक क्षमता और विभिन्न जलवायु के अनुकूल होने के लिए जाने जाते हैं। नस्ल को दुनिया भर में मान्यता भी मिली है, ब्राजील और संयुक्त राज्य अमेरिका जैसे देशों ने प्रजनन उद्देश्यों के लिए गिर गायों का आयात किया है।

 अंत में, गुजरात में गिर गायों का इतिहास गुजरात के लोगों की लचीलापन और सरलता का प्रमाण है। सदियों के विदेशी शासन के बावजूद, मालधारी और अन्य पशुपालकों ने नस्ल की आनुवंशिक शुद्धता को बनाए रखने और इसके सांस्कृतिक महत्व को बनाए रखने में कामयाबी हासिल की है। आज, गिर गाय गुजरात की अर्थव्यवस्था और संस्कृति का एक अभिन्न अंग है और आने वाली पीढ़ियों तक इसकी विरासत बनी रहेगी।

A Brief History of Gir Cows in Gujarat

Gir Cows, also known as Gyr or Girinka cows, are a unique breed of cattle that are native to India. Specifically, they are from the Gir Forest region in the state of Gujarat. These cows have been an integral part of the culture and economy of Gujarat for centuries. In this blog, we will explore the brief history of Gir cows in Gujarat.

The Gir Forest region is located in the Saurashtra region of Gujarat. This region is known for its diverse flora and fauna, including the majestic Asiatic lion. It is also home to the Gir cow, which has been bred by the Maldhari community for generations. The Maldharis are a nomadic tribe that has lived in the region for centuries. They are known for their expertise in cattle breeding and have played a crucial role in the development of the Gir cow breed.

The history of Gir cows in Gujarat can be traced back to ancient times. The Vedic scriptures, which date back to 1500 BCE, mention the importance of cattle in Indian society. Cows were considered sacred and were used for a variety of purposes, including ploughing fields, providing milk, and as a symbol of wealth.

During the Mughal era, which began in the 16th century, Gujarat was ruled by Muslim rulers. Despite this, the Maldharis continued to breed Gir cows and developed a thriving dairy industry. The Mughal rulers recognized the importance of the dairy industry and encouraged the breeding of high-quality cows.

In the 19th century, the British colonizers arrived in India and took over the administration of the country. The British recognized the importance of the Gir cow breed and established breeding centers to improve the breed. The first Gir breeding center was established in 1917 in Junagadh, Gujarat. The British also established a Gir Stud Farm in 1927, which played a crucial role in the development of the breed.

After India gained independence in 1947, the government of Gujarat took over the breeding centers and established the Gujarat Agricultural University. This university has played a crucial role in the development of the Gir cow breed and has helped to preserve the breed's genetic purity.

Today, Gir cows are one of the most popular breeds of cattle in India. They are known for their high milk yield, disease resistance, and adaptability to different climates. The breed has also gained recognition worldwide, with countries such as Brazil and the United States importing Gir cows for breeding purposes.

In conclusion, the history of Gir cows in Gujarat is a testament to the resilience and ingenuity of the people of Gujarat. Despite centuries of foreign rule, the Maldharis and other cattle breeders have managed to preserve the breed's genetic purity and maintain its cultural significance. Today, the Gir cow is an integral part of the economy and culture of Gujarat, and its legacy will continue for generations to come.

India's Economic Superpower Potential

India's Economic Superpower Potential

How India will become economic superpower by 2030?

India is one of the fastest-growing major economies in the world, and there is a growing belief that it could become an economic superpower by 2030. The country has made significant strides in recent years, and there are several reasons why India has the potential to become a global economic powerhouse.

Demographics

India has a young population, with a median age of just 28 years old. By 2025, it is estimated that over half of the population will be under the age of 25. This demographic dividend means that India has a vast pool of young, skilled workers who are entering the workforce, and this can be harnessed to drive economic growth.

Economic reforms

Over the past few years, the Indian government has implemented several economic reforms to improve the business climate and attract foreign investment. These include the introduction of the Goods and Services Tax (GST), the liberalization of FDI norms, and the simplification of business registration processes. These reforms have helped to boost investor confidence and create a more favorable environment for businesses to operate in.

Infrastructure development

India has made significant investments in infrastructure development, including the construction of new highways, airports, and ports. The government has also launched initiatives such as the Smart Cities Mission, which aims to build 100 smart cities across the country. These infrastructure developments will help to attract businesses and create jobs, and will also help to improve the quality of life for Indian citizens.

Digital revolution

India is undergoing a digital revolution, with the rapid adoption of smartphones and the internet. This has created a huge market for digital services and e-commerce, and has also led to the development of innovative technologies such as fintech and edtech. The digital revolution is creating new opportunities for businesses and entrepreneurs, and is helping to drive economic growth.

Manufacturing sector

India is already a major manufacturing hub, and the government is keen to develop the sector further. The 'Make in India' initiative aims to promote domestic manufacturing and attract foreign investment into the sector. The government has also introduced incentives such as tax breaks and subsidies to encourage the development of new manufacturing facilities. The manufacturing sector has the potential to create millions of jobs and drive economic growth in India.

Energy security

India has made significant progress in the development of renewable energy sources, such as solar and wind power. The government has set ambitious targets for the adoption of renewable energy, and is also exploring other sources such as hydrogen and biofuels. Energy security is crucial for economic growth, and India's investments in renewable energy will help to reduce its dependence on fossil fuels and create a more sustainable future.

In conclusion, India has a lot of potential to become an economic superpower by 2030. The country's young population, economic reforms, infrastructure development, digital revolution, manufacturing sector, and investments in renewable energy are all factors that will help to drive economic growth in the coming years. However, there are also challenges that India will need to overcome, such as improving its education system and addressing income inequality. If India can successfully tackle these challenges, then it has the potential to become a global economic powerhouse.

Noxious Jollification

Why is always, the bugs brave

He is powered, by Minds Maze

He is dedicated, and soft as plume

Lunatic in love, running towards Soon

Everyone is sympathetic, for the lucent lover

But no one is worried, for the chandelier

Life is like a chanty for him

He seems a dangler, but mind in dim

Though he knew, Love was noxious

But it is love, which makes him anxious

After every pure hearted resolution

He always get caught in Jollification

This is all, everyone thought

But its new, what I have brought

Just like Ogress, we present the candle

But reality is sorrow, she can't handle

He burn himself for one sec, and get canonized

But the poor candle, is called homicide.

The Rime of An Ancient Mariner

A lyrical ballad

The Sun now rose upon the right:

Out of the sea came he, *Anastrophe*

Still hid in mist, and on the left

Went down into the sea

And the good south wind still blew behind,

But no sweet bird (albatross) did follow,

Nor any day for food or play

Came to the mariner's hollo! (mariners cry)

And I had done a hellish thing,

And it would work 'em woe: (and it will surely bring some sorrows to the sailors)

For all averred(affirmed), I had killed the bird

That made the breeze to blow.

Ah wretch!( base, mean, or despicable) said they, the bird to slay(To kill violently),*Anastrophe*

That made the breeze to blow!

Nor dim nor red, like God's own head, (it suggests divine retribution will come to the ship)*simile*

The glorious Sun uprist: (uprose)

Then all averred, (affirmed) I had killed the bird

That brought the fog and mist.

'Twas right, said they, such birds to slay,

That bring the fog and mist.

(The Mariner’s Companions made themselves accomplices in the crime when they thought that it was a good thing to have the Albatross killed.)

The fair breeze blew, the white foam flew,*Internal rhyme*

The furrow followed free;

(Visual imagery. When the ship moves on a tideless ocean it cuts through the water that forms a furrow at the rear bottom of the ship that is created by white foam that flies when the ship cuts and sails through the water)

We were the first that ever burst *internal rhyme*

Into that silent sea.

Down dropt the breeze, the sails dropt down,*repetition*

'Twas sad as sad could be;

And we did speak only to break

The silence of the sea!

All in a hot and copper sky,*Tautology*

The bloody Sun, at noon,

(usually the sun is white during the afternoon but because of the sultry weather and as a result of the mariner’s sin it grew hot and copper red)

Right up above the mast did stand,

No bigger than the Moon. (The sun is unusually small. it’s as if the light of the world is slowly fading.)

Day after day, day after day,

We stuck, nor breath nor motion;

As idle as a painted ship *simile*

Upon a painted ocean.

Water, water, every where,

And all the boards did shrink; (Salt has this effect on things)

Water, water, every where, *paradox*

Nor any drop to drink. (Isn’t that crazy? Most of those shipwrecked die of thirst.. in the middle of the ocean..)

The very deep did rot: O Christ!

That ever this should be!

(Days after the wind stilled, something is awry. Slimy creatures are seen walking on the surface of the water.)

Yea, slimy things did crawl with legs

Upon the slimy sea.

About, about, in reel and rout

( reel mean? Means to lure or capture and bring something in, like reeling in a fish after you've caught)

The death-fires (Death-fires are an omen of death) danced at night;

(Sailors at sea often saw this phenomenon, known as St. Elmo’s Fire. It is electricity discharged from pointed objects, such as masts, during storms. The phenomenon can also be seen on land on trees or towers that rise to a point)

The water, like a witch's oils, *simile* Burnt green, and blue and white.

(Disturbing lights start to appear at night, and the water "burns" green, blue, and white. If you wanted to be scientific about it, you might guess that the Mariner is seeing the phenomenon of "phosphorescence." Some kinds of algae and tiny animals can literally "glow" in the water in certain times of year. But Coleridge isn 't being scientific, he 's being supernatural. Some of the sailors start to dream that a spirit deep under the ocean has been following the ship ever since they left the Arctic. Needless to say, it 's not a happy,spirit.)

And some in dreams assurèd were

Of the Spirit that plagued us so;

( Coleridge believed that there were more spirits or invisible creatures in the world then visible ones.)

Nine fathom deep he had followed us

From the land of mist and snow.

(A fathom is a unit of length equal to six feet.)

And every tongue, through utter drought

, Was withered at the root;

We could not speak, no more than if

We had been choked with soot.

Ah! well a-day! (Archaic lamentation; Alas!)

what evil looks Had I from old and young!

(he was given dirty looks by everybody for killing the albatross.)*antithesis* Instead of the cross, the Albatross *internal rhyme*

About my neck was hung.

(Suggests the divine nature of the Albatross, and how it functions as a sort of cross in its own right. Yet hung around his neck, it is a symbol of his sins.)

askho ki baate..

Aansu.o ke dharm-o-imaa.n bhi ajeeb hote hain,
Jab koi nazar me na ho tab ye kareeb hote hain...

Jo insaa.n zindagi ko roshan kar jaate hain,
Wo khud bade betarteeb hote hain...

Insaano ki aadat na ho toh hi achha hai,
Bichadke na Milne waale bade badnaseeb hote hain...

Rula ke chale gaye, bas Aansu hi na chalak aate,
Palko me ruke hue ansu.on ke dard ab sahe nahi jaate..

Dil ko Aabaad rakhte Hai Ek Shehar-E-Khamoshan Ki Tarah,
Har Taraf Log To Hain Magar Phir Bhi Tanhai piye jaate hain..

Tanhaiyo me Jaan Jalaye jaate hain Saari Raat...!!
Khud Hi dar Pe dastak deke phir Khud Hi kaun puchhe jaate hain...!!

Main Nahin Aaunga....

Main nahi aaunga

Main nahi aaunga..

Un bheege gaalo me, rukhe baalo me,
Chand sawalo me, jhukti daalo me..
Main nahi aaunga..

Dosto ki thitholi me, mohalle ki holi me,
Behna ki doli me, koyal ki boli me..
Main nahi aaunga...

Un lehraate pardo me, unsune fardo me,
Raat se bhi kaale dardo me...
Main nahi aaunga..

Maa ke aanchal me, kaare Kajal me,
Bin barse badal me, gungunati aukhal me...
Main nahi aaunga...

Main nahi aaunga..

Main kyu aau, jab dana-pani uth gaya..
Panchi akela, apno se rooth gaya..

Main kyu aau, jab koi naamleva nahi..
Maut bhi zindagi si jaanleva nahi..

Main kyu aau, jab dukh bhi haar gaya..
Bar baar uthe kadam, par aham maar gaya..

Main kyu aau,jab tum mujhe nahi pukarte..
Main kyu aau, jab tum mujhe nahi niharte..

Main nahi aaunga..

Main nahi aaunga..

Ab jeete ji marr jaunga, par main nahi aaunga,
Apni saanso ko apne me hi dafnaunga..

Apni hi mayyat pe khushi ki mausiqi gaunga,
Haar kar toot jaunga, bikhar jaunga..

Par main nahi aaunga..

Main nahi aaunga.. Main nahi aaunga...

I died Yesterday..

*Conversation with God*

Raaste naapta, bhatakta sa, aaya tere dar par,
Sookhi aankhe, dil me gubaar, saanse bezaar..

Lakho sawaalo ke baadal liye, chaahto ke saanp liye,
Chala aaya hoo.n, chehre pe shikano.n ke Chenaab liye..

Hazaro khwahishie.n, laakho arziyaan, an'ginat shikayate,
Zindagi ki andhi daud me bhool gaya, teri aa'yatei.n..

Tere dar ki garm seedhiyo.n pe mila woh thanda sukoo.n,
Har badhte kadam ke saath, kam hote gaye mere zunoo.n..

Mit gaya ranz-o-gam, mit gayi meri hasti,
Tera noor barasta raha, mera wajood-- bas masti..

Jab teri nazar aaya, kho gaya ehsaas, kho gaya fareb,
Iss kadar beparda hua tere saamne, ki ban gaya naseeb..

Shikayato.n ke karavaa.n liye aaya tha tere darr,
Bas, jhuki si aankhe.n hi kar paya tere nazar..

Ro padi banzar aankhe, gamo ka Sota(geyser)beh gaya,
Dard, dar-b-dar hua, mujhe alvida keh gaya..

Arziyoo.n ke band lifafe, khul na sake tere saamne,
Aaankhe band hui khud-b-khud, mann laga khudko naapne..

Dil-e-veera.n bhar gaya, teri mehr ke noor se,
Manzil ko paa liya, kho gaya raasta, aaya tha door se..

Sunte the teri baadshahat-e-dil ke kisse,
Tere roo-b-roo, bikhar gaye meri MAIN(I) ke hisse

Tere darr ki khushboo me khud ko paaya,
Phir jaha.n nazar gayi, bas TU hi TU nazar aaya..

Jaltarang bajj utthe, saaz-o-saazinde kho gaye,
Mujhe Tu, Tujhme Main, banda-khuda ek ho gaye..

Main roya pardes....



Main roya pardes mein bheega maa ka pyaar, Dukh ne dukh se baat ki bin chitthi bin taar

Chota karke dekhiye jiwan ka vistaar, Aankhon bhar aakash hai baahon bhar sansaar

Leke tan ke naap ko ghoome basti gaanv, Har chaadar ke gher se baahar nikle paanv

Sabki pooja ek si alag alag har reet, masjid jaaye maulvi koyal gaaye geet

Pooja ghar mein moorti mira ke sang shyaam Jiski jitni chaakri utne uske daam

Saaton din bhagawaan ke kya mangal kya pir Jis din soye der tak bhookha rahe fakir

Achhi sangat baitha kar sangi badle roop Jaise milkar aam se meethi ho gai dhoop

Sapna jharna neend ka jaagi aankhein pyaas Pana khona khojna saanson ka itihaas

Chaahe geeta vaachiye ya padhiye quraan Mera tera pyaar hi har pustak ka Gyaan------

Surile Aansu

Surile aansu

Surile aansu, palko pe baithe hain..
Surile aansu, gam ko samete hai..

Gar tera gam, mera ho jaye..
Bas yuhi dil tera ho jaye..
Ek sapna bas, yuhi kho jaye.
Dil ki dua, pyar ho jaye...
Hmmmmm..hmmmmm....

Surile aansu, palko pe baithe hain..
Surile aansu gum ko samete hai...

Ye aansu kyu lagte yu apne hain..
In aankho me tere hi sapne hain..
Chandni bhi, laage kyu tapne hain..

Surile aansu palko pe baithe hain...
Surile aansu, gam ko samete hain...

Sooni sooni, aankho ki basti hai...
Bewajah  kyu aankhe barasti hai..
Tere naam se kyu, dhadkan larajti hai..

Surile aansu palko pe baithe hai..
Surile aansu gam ko samete hai...

Tanhayi me, kyu muskuraate hai..
Bheegi agni me jalte jaate hain..
Aansu mere, kyu jhilmilate hai..

Surile aansu, palko pe baithe hain..
Surile aansu gam ko samete hain...
Surile aansu.... Surile aansu.. 

kya tumhe yaad hai.....?

Kya tumhe yaad hai..

Un bheegi palko se ghar ko niharna..
Aadhi raat ko neend me maa ko pukarna..

Chote haatho me maa ko bhinchna..
Bundi k laddu ko dekh aankhe meechna..

Chhoti ki kohni ko bebaat marodna..
Mitti k gharonde bana bana kar todna..

Chuttiyo me mausi ke ghar jaane ko machalna..
Woh patte k done me rasgulle ka ras tapakna..

nanhe nahe pairo se galiyo ko maapna..
Kutto ko pathhar mar k tez bhagna..

Homework k liye madam se roz jhooth bolna..
Naani ki kahani me pariyo sang dolna..

Choti choti baat par muh fula lena..
Choti si chaddi me amrood chupa lena..

Yuhi bewajah hansna
Phir yuhi udaas ho jaana..

Class ki bench par filmo ke naam likna..
Dost k tiffin me sandwich k tukde k liye ladna..

Maa k paas sone k liye bhai se jhagadna..
Nayi t-shirt milne par dosto k saamne akadna..

Woh makki ki roti par ghee ka tir aana..
Kheer-puri kha kha k wahi gir jaana..

Narangi ki goliyo me bachpan ko choosna..
Woh galti karne par mann ka kachotna..

Papa k razor ko gaalo pe ghisna..
Woh inshirt na hone se PT sir se pitna...

Roz doodh pee kar tang aa jaana..
Roz maa se maggi ka promise paana..

Woh exams k naam se hi darr jaana..
Aur result k naam pe jeete jee mar jaana..

Woh papa ki daant khana..
Woh mummy ka laad ladana..

Kya tumhe yaad hai..
Ab toh ye sab yaadien hain.

Unsuni fariyaade hain..
Ab khudse hi jujhta hu..

Haar kar .. Khudse hi puchta hu   ..

Kya tumhe yaad hai..?

Kya tumhe yaad hai....?

kya tumhe yaad hai.....?

How sleep the brave, who sink to rest,
By all their country's wishes blest !
When Spring , with dewy fingers cold ,
Returns to deck their hallowed mould,
She there shall dress a sweeter sod
Than Fancy's feet have ever trod.
By fairy hands their knell is rung;
By forms unseen their dirge is sung;
There Honour comes , a pilgrim grey ,
To bless the turf that wraps their clay;
And Freedom shall awhile repair
To dwell a weeping hermit there !




How sleep the brave..

Analysis is here:
help me if it is bad.
The whole theme of the poem is a
prais to the courageous
soldiers. Whho sacrificed their lives in
the name of their country.Poet created
a beautiful image of their
funeral ,done by nature .
In the first stanza, there is a beautiful
image of spring, which is decoratng
the grave of resting soldier . Nature is
giving him honour by more glorifying
its traits. Poet emphasises by sayin
" Fancys have ever trod" . By using this
abstract figure poet valued nature' s
natural decoration of that land which
is done for those men who dared for
its protection.
In second stanza, poet is illustrating
the status of courageous soldiers, that
they are not treated as normal peole
who come to death ,they are the
special ones for whome the knell is
rung by unseen hnds or angelic
hands. Their funeral song celebrated
by angels and other special unseen
ones .Honoure 's H written in capital
shows emphasises that their honour
is hightend with natural blessings . For
the out standing doer who provided
peace, comfort and freedom to the
land in the cost of their lives.
Poem consist lots of personifications
spring, freedom, honour are the
subjects. Rhyme sheme is regular
AABBCC. All the use of visual images
are for displaying the praise the pride
of bave soldiers .

KYU... ????!!!!!

kya jane kyu ye "kyu" kyu hota hai..
na jane jab ye "kyu" hota hai tab kya-kya hota hai..
sab bewajah hota hai..
sab lajawaab hota hai..
log kehte hai.. ki jab aisa hota hai.. tab aisa hi jota hai..
par jab aisa hota hai to aisa hi kyu hota hai..
ye "kyu" aakhir hota hi kyu hai. kaash, ye kyu na hota.. phir sochta hu.. agar ye "kyu" na hota.. to kya hota..phir sochta hu ye "kyu" hi achcha hai..
itne "kyu" kyu hai.. aakhir ye "kyu" kya hai..??
kuch log isse PYAR kehte hai..
par hum kyu, akhir kyu, ye karte hai.. jab itne "kyu" se hum darte hai.. phir itne "kyu" se hum kyu ladte hai..
har pal socha karte hai..bas socha karte hai.. sirf socha karte hai.. ab to apne saaye se b darte hai..hum raat se pucha karte hai..jugnu se baate karte hai.. na jane is "kyu" ko kyu karte hai...na jane is "kyu" ko kyu karte hai.

poem of parting students

Raah dekhi thi is din ki kabse ,
Aage ke sapne saja rakhe the naajane
kab se .
Bade utavle the yahaan se jaane ko ,
Zindagi ka agla padaav paane ko .
Par naa jane kyon … Dil mein aaj kuch
aur aata hai,
Waqt ko rokne ka jee chahta hai.
Jin baton ko lekar rote the Aaj un par
hansi aati hai ,
Na jaane kyon aaj un palon ki yaad
bahut aati hai .
Kaha karte the …Badi mushkil se do
saal seh gaya ,
Par aaj kyon lagta hai ki kuch peeche
reh gaya ????
Na bhoolne wali kuch yaadein reh
gayi ,
Yaadien jo ab jeene ka sahara ban
gayi .
Meri taang ab kaun kheencha karega ,
Sirf mera sir khane kaun mera peecha
karega .
Jahaan 2000 ka hisaab nahin wahaan 2
rupay ke liye kaun ladega ,
Kaun raat bhar saath jag kar padega ,
KAUN MERI gaadi mujse pooche bina
lejayega ,
Kaun mere naye naye naam
banayega .
Mein ab bina matlab kis se ladoonga ,
Bina topic ke kisse faalto baat
karoonga ,
Kaun fail hone par dilasa dilayega ,
Kaun galti se number aane par
gaaliyaan sunayega .
Tapri mein Chai kis ke saath piyoonga ,
Wo haseen pal ab kis ke saath
jiyoonga,
Aise dost kahaan milenge Jo khai mein
bhi dhakka de aayein ,
Par fir tumhein bachane khud bhi
kood jayein .
Mere gaano se pareshaan kaun hoga ,
Kabhi muje kisi ladki se baat karte
dekh hairaan kaun hoga ,
Kaun kahega saale tere joke pe hansi
nahin aai ,
Kaun peeche se bula ke kahega. . aage
dekh bhai .
Movies mein kiske saath dekhhonga ,
Kis ke saath boring lectures jheloonga ,
Bina dare sachi rai dene ki himmat
kaun karega .
Achanak bin matlab ke kisi ko bhi dekh
kar paglon ki tarah hansna ,
Na jaane ye fir kab hoga .
Doston ke liye professor se kab lad
payenge ,
Kya hum ye fir kar payenge ,
Raat ko 2 baje poha khane station
kaun jayega ,
Tez gaadi chalane ki shart kaun
lagayega .
Kaun muje mere kabiliyat par bharosa
dilayega ,
Aur jyada hawa mein udne par
zameen pe layege ,
Meri khushi mein sach mein khush
kaun hoga ,
Mere gam mein muj se jyada dukhi
kaun hoga …
KEH DO DOSTON YE DOBAARA KAB
HOGA